發表評論-盧岩-萬維博客-萬維讀者網（電腦版）

The symbol of the 17th Catastrophe in the Sun Stone Calendar is a Jaguar, representing the god of the north, Tlaloc, also known as Black Tezcatlipoca; therefore, this article provides an overview of his life. Shakyamuni is a Buddha of the Golden Boy class, famously Lion King, and many of his legends originate from Tlaloc; thus, his Chinese name in this article is Lion King. "Conon" is the term used in this text to denote Tezcatlipoca; its original meaning is "smoking obsidian mirror," which corresponds to the Buddhist "Great Round Mirror Intelligence" (see Section 14.1.2).

圖17.1-1是約一歲時的金童,青松石王為他做觸目(參見第三章)。他患了嬰幼兒神經發育失調症,所以他的眼睛特殊,被稱作觸目。觸目是青松石王造的第一顆太陽。

Figure 17.1-1 shows the Golden Boy at about one year old, for whom King Turquoise (Xiuhtecuhtli) created the Touch-Eyes (see Chapter 3). He suffered from an infantile neurodevelopmental disorder, hence his unusual eyes, which were called Touch-Eyes. Touch-Eyes were the first sun created by King Turquoise (Xiuhtecuhtli).

圖2顯示的是青少年的特拉洛克,這時他在谷伯的誘導下修習禪定,獲得了四禪天的經歷(參見第11章)。這個經歷被稱作天眼,是青松石王造出的第二顆太陽。

圖2顯示他在一個帽子(或山)的籠罩之下,表示他自認為懂得了集諦(參見第13章)。集諦是惡行真如,象徵符號是圖中 “幾支箭並排放在鏡子上”。讀者當知,古墨西哥的神佛智的象徵符號也是幾支箭並排放在鏡子上。區別是,神佛智的鏡子上可以映出人臉(和萬事萬物),箭頭不尖銳。

Figure 2 shows the adolescent Tlaloc, who, under the guidance of Uncle Maize (Centeotl), practiced meditation and attained the experience of fourth meditation (see Chapter 11). This experience is known as the "Sky Eye," the second sun created by King Turquoise.

Figure 2 shows him shrouded in a hat (or mountain), signifying his belief that he has grasped Aggregate Crux (see Chapter 13). Aggregate Crux is ferocious behaviors true-suchness, symbolized by "several arrows placed side by side on a mirror" in the figure. The reader should note that the symbol of Godly intelligence in ancient Mexico was also several arrows placed side by side on a mirror. The difference is that the mirror of godly intelligence reflects human faces (and all things), and the arrows are not sharp.

如圖3,在適婚年齡的晚期,特拉洛克遇見了翠玉女。倆人的相處不和諧;見面後,特拉洛克感覺全身難受。

翠玉女是女神,天生高貴,任何人見了都不起邪念;特拉洛克對她沒性衝動。有人告訴他,找對象談戀愛,性衝動是第一要素。如果你見到對方,沒有拉手和想親親她的衝動,那她就不適合作為婚戀的對象。那樣的婚戀會害人害己。

As shown in Figure 3, in his late marriageable years, Tlaloc met Chalchiuhtlicue. Their relationship was strained; after meeting her, Tlaloc felt physically unwell.

Chalchiuhtlicue was a goddess, naturally noble, and no one who saw her harbored impure thoughts; Tlaloc felt no sexual attraction toward her. Someone told him that when looking for a partner and falling in love, sexual attraction is the primary factor. If, upon seeing the other person, you feel no urge to hold hands or kiss her, then she is not suitable as a romantic or marriage partner. Such a relationship would be harmful to both parties.

特拉洛克覺着翠玉女不是適合的婚戀對象,決定放棄;可是青松石王願意,以至於特拉洛克找不到女朋友了。特拉洛克故意犯錯誤,砸碎了青松石王心愛的綠玉盞,被流放(如圖4)到了流沙河。

圖5顯示,一段時間後,特拉洛克害怕青松石王抓他回去,強迫他和翠玉女結婚,跑去國外了。

Tlaloc felt that Chalchiuhtlicue was not a suitable marriage partner and decided to give up; however, King Turquoise was willing, so Traloc couldn't find a girlfriend. Tlaloc deliberately made a mistake, smashing King Turquoise's beloved jade lamp, and was exiled (as shown in Figure 4) to the Flowing Sands.

Figure 5 shows that after some time, fearing that King Turquoise would capture him and force him to marry Chalchiuhtlicue, Tlaloc fled abroad.

圖6顯示特拉洛克得知青松石王過世的消息後,患了許多種疾病。他左腳踩着個輪子,輪子上有根吊杆,表示他的生命依賴於不停的運動。他的右肩有多股水流流進他的身體,上面有根吊杆,表示他需要不斷地喝水來維持生命。他的右腳斷了,輪子上生出了個美洲獅,表示特拉洛克已經悟出了翠玉女是女神,自己是被她推下地獄(即患了精神病)的,恨她,想吃她的肉。

可是恨女神會加重特拉洛克的病情,他不得不改想法,承認她是自己的妻子;所以他右肩上的那顆高傲的鹿頭流下了眼淚。

Figure 6 shows that after learning of the death of King Turquoise, Tlaloc fell ill with many diseases. His left foot rests on a wheel with a hanger attached, symbolizing that his life depends on constant movement. Several streams of water flow into his body from his right shoulder, with a hanger above them, indicating that he must drink water continuously to sustain his life. His right foot is broken, and a Jaguar has emerged from the wheel, signifying that Tlaloc has realized that Chalchiuhtlicue is a goddess, and that he was pushed into hell (i.e., fell into madness) by her; he hates her and wants to devour her flesh.

However, hating the goddess would only worsen Tlaloc’s condition, so he is forced to change his mind and acknowledge her as his wife; thus, the proud stag’s head on his right shoulder sheds tears.

圖6中特拉洛克一隻手拿着一面鏡子,鏡子上有幾支箭,表示他的慧眼逐漸地睜開了。那幾支箭代表貪嗔痴等煩惱,代表集諦。鏡子代表集諦的空集(∅)。此時的空集不空,集起的四個元素沒安排好(參見13.1節),這代表他還沒完全掌握集起智。當他除掉了貪嗔痴等全部的煩惱,涅槃成為集起的空集,此集起智就被稱為大圓鏡智了。此大圓鏡智對於特拉洛克來說是慧眼,是青松石王造出的第三顆太陽。

In Figure 6, Tlaloc holds a mirror in one hand, on which are several arrows, signifying the gradual opening of his gnostic eye. The arrows represent afflictions such as greed, irritation, and ignorance, representing Aggregate Arousal (see section 13.1). The mirror represents the emptiness (∅) of the Aggregate Arousal. At this point, the emptiness is not empty; the four elements of the Aggregate Arousal are not yet properly arranged (see section 13.1), indicating that he has not yet fully mastered the Aggregate Arousal Intelligence. When he eliminates all afflictions such as greed, irritation, and ignorance, Nirvana becomes the emptiness (∅) of the Aggregate Arousal, and this “aggregate arousal intelligence” is called the Great Round Mirror Intelligence. This Great Round Mirror Intelligence is Tlaloc's gnostic eye, the third sun created by King Turquoise.

圖7顯示地獄中的特拉洛克回憶出了約一歲時的事:媽媽抱着生病的自己(如圖1)。那時,青松石王為自己做觸目,並承諾把女兒翠玉女嫁給自己,讓自己成為墨西哥的第一任皇帝。這種回憶出三歲之前的事被稱作宿命通。特拉洛克就全明白了。於是他返回納瓦特爾國,準備繼承青松石王的王位。

Figure 7 shows Tlaloc in Hell recalling an event from when he was about one year old: his mother holding him while he was sick (as shown in Figure 1). At that time, King Turquoise was making Touch-Eyes for him and promised to marry his daughter, Chalchiuhtlicue, to him, making him the first emperor of Mexico. This ability to recall events from before the age of three is known as Fate Through. Tlaloc understood everything. So he returned to the Kingdom of Nahuatl, preparing to inherit the throne of King Turquoise.

圖8顯示,特拉洛克面對卡特莉(又名翠玉女,此時的納瓦特爾國代理國王)的不理睬,說自己是烏龜。烏龜是妓院男傭的別名,亦作 “沒嘴兒的大茶壺” (如圖11,特拉洛克手裡拿着的)。烏龜表示特拉洛克決定放棄王位繼承權。

Figure 8 shows that, faced with Tlaltecuhtli’s (also known as Chalchiuhtlicue, the acting king of the Kingdom of Navatol at this time) indifference, Teralok refers to himself as a turtle. “Turtle” is a slang term for a male servant in brothels, also known as a “teapot without a spout” (as shown in Figure 11, which Tlaloc is holding). The turtle symbolizes Tlaloc’s decision to renounce his claim to the throne.

圖9顯示特拉洛克和卡特莉的婚禮之後,翠玉女送給了特拉洛克一枚金龜婿勳章,並拿出了蜻蜓眼塔給他看。特拉洛克的坐騎獅子代表他的心。獅子的後部長出了另一個頭,準備逃跑,為什麼?

卡特莉是千手千眼觀音,結婚時被燒死了(參見15.7《歡喜佛》),變成了翠玉女。翠玉女把卡特莉脫落的一千顆眼睛搜集了起來,做成複眼塔,特拉洛克看後,能不害怕嗎!

Figure 9 shows that after Tlaloc and Tlaltecuhtli’s wedding, Chalchiuhtlicue presented Tlaloc with a “Gold Turtle Son in Law” medal and showed him the Dragonfly Eye Tower. Tlaloc’s lion mount represents his heart. Another head has sprouted from the lion’s rear, ready to flee. Why?

Tlaltecuhtli was the Thousand-Armed, Thousand-Eyed Guanyin. She was burned to death during her wedding (see 15.7, “Consummation Buddha”) and transformed into Chalchiuhtlicue. Chalchiuhtlicue collected the thousand eyes that had fallen from Tlaltecuhtli and fashioned them into the Compound Eye Tower. How could Tlaloc not be terrified after seeing it!

17.2 五眼六通 Five Eyes Six Throughs

圖10顯示特拉洛克在想古代的特拉洛克,古代的特拉洛克在想如何書寫他的神父的墓志銘。這表示此時的特拉洛克在盤算着如何書寫青松石王的墓志銘。當然本書《太陽石歷》就是特拉洛克和翠玉女為青松石王撰寫的墓志銘。

《太陽石歷》是按照時間順序編寫的,還有一個隱形線索,名為 ”五眼六通”,包含所有的上帝的知識。

Figure 10 shows Tlaloc thinking about the ancient Tlaloc, who is pondering how to write his godfather’s epitaph. This implies that Tlaloc is currently considering how to compose the epitaph for King Turquoise. Of course, this book, *Sunstone Calendar*, is the epitaph that Tlaloc and Chalchiuhtlicue wrote for King Turquoise.

The *Sunstone Calendar* is written in chronological order and contains a hidden thread known as the “Five Eyes and Six Throughs,” which encompasses all divine knowledge.

特拉洛克擁有五眼中的前三隻眼。第四個太陽就第四隻眼,名作法眼,就是翠玉女的知識體系,將在下一節講述。第五個太陽就是第五隻眼,名作上帝之眼,這隻眼包括前四隻眼,就是青松石王的知識體系,包含此《太陽石歷》的全部內容。

Tlaloc possesses the first three of the Five Eyes. The fourth Sun corresponds to the fourth Eye, known as Juristic Eye, which represents the body of knowledge of Chalchiuhtlicue, which will be discussed in the next section. The fifth Sun corresponds to the fifth Eye, known as God’s Eye. This Eye encompasses the first four Eyes and represents the body of knowledge of King Turquoise, which includes the entirety of this *Suntone Calendar*.

六通分別是天眼通、天耳通、他心通、神足通、宿命通、漏盡通。前四通參見第11章。宿命通在前面解釋了,特拉洛克回憶出三歲之前青松石王對他做過的事,這個能力被稱作宿命通。漏盡通,漏義為煩惱,漏儘是煩惱都被除掉了,到達了涅槃,參見第14章《滅諦》。

The Six Throughs are: Sky Eye Through (Clairvoyance), Sky Ear Through (Clairaudience), Reading Other’s Heart Through (Clairsentience), Sky Leg Through (Teleportation), Fate Through, and Leakage End Through. For the first four Throughs, see Chapter 11. Fate Through was explained earlier, that is Tlaloc recalled what King Turquoise had done to him before he was three years old. The term "Leakage End Through" means that all defilements have been eliminated, and one has reached Nirvana. See Chapter 14, "Salvation Crux."

17.3 中土之門 Door to Middle Earth

插圖17.1-11是特拉洛克正在設計生命之樹的樹幹。上面的半月臉代表特拉洛克。虱子代表腐屍蟲和胃腸潰瘍。此圖表示特拉洛克想在四禪天的第九天(色究竟天)為此妙智世界開個門,可是害怕翠玉女會不高興,引起自己的胃腸潰瘍病情惡化。

最後,承接前文故事,“阿茲特蘭消失在了一棵樹上,青松石王派了很多沙門在那棵樹的周圍搜索了幾個月。” 特拉洛克設計出了圖17.3-17至13,中土之門。

Illustration 17.1-11 shows Tlaloc designing the trunk of the Tree of Life. The crescent face at the top represents Tlaloc. The lice represent carrion beetle and intestinal ulcers. This illustration shows that Tlaloc wants to open a door to this Wonderful Intelligence World on the ninth sky of the fourth meditation (Color Finalization Sky), but he is afraid that Chalchiuhtlicue will be displeased, causing his intestinal ulcers to worsen.

Finally, continuing from the previous story, "Aztlan disappeared into a tree, and King Turquoise sent many shamans to search around that tree for months." Tlaloc designed Figures 17.3-17 to 13, the Door to Tenochtitlan (i.e., Middle-earth).

17.3 800 中土之門 Door to Middle Earth.jpg

受是所取;想是能取。眾生日夜操勞,只做業,不消業,日積月累成為了兩座天門山(如圖17.3-15),即受蘊和想蘊)。受蘊和想蘊驅使眾生日夜操勞,流轉於六趣之中,不得休息,同時這兩座山仍然在繼續生長,怎麼辦?

Acceptance is what is fetched; Think is capable of fetch. Sentient beings toil day and night, creating karma but not eliminating it. Over time, this accumulates into two sky door mountains (as shown in Figure 17.3-15), namely Acceptance Node and Think Node. Driven by the nodes of Acceptance and Think, sentient beings toil day and night, transmigrating through the Six Interests without rest. Meanwhile, these two sky door mountains continue to grow. What can be done?

業義為身口意的行為習慣,可以由圖40的人中運動來表示。於是就有了人中是天門山的根的說法。正順解脫是謹守根門,如圖41。圖41是墨西哥的天道輪迴的守護女神寇特鶹鵂(Coatlicue);她鎖死了她自己的人中穴,表示她謹守十戒(參見12.1節)。這樣少做壞事,天門山就不生長了,以至於萎縮了。天門山被移除了,就是升天的路障被清除了。

Karma means habits of bodily, oral, and intent actions, which can be represented by the movement of the philtrum as shown in Figure 40. This gives rise to the notion that the philtrum is the root of sky door mountains.

Correct Sequential Liberation is achieved by guarding the root-door, as shown in Figure 41. Figure 41 depicts Coatlicue, the guardian goddess of Mexican godly cycle; she has locked her own philtrum, signifying her strict observance of the Ten Precepts (see Section 12.1). By thus minimizing evil deeds, the two Sky Door Mountains cease to grow and eventually withers away. The removal of Sky Door Mountains clears the obstacle to ascension.

山根亦作祖竅(如圖17,35,36,42,43,44,45),是祖宗們進出聖廟的門。頭是聖廟是西方人的說法,例如說英語的人仍然把額頭兩邊的太陽穴稱作廟(Temple)。這樣讀者就看懂了圖39,人中(如圖40)的運動是上帝在呼吸。圖35下部表示,謹守根門是在為祖宗們守門。

The mountain-root is also known as Ancestral Cave (as shown in Figures 17, 35, 36, 42, 43, 44, 45), serving as the gateway through which ancestors enter and exit the sacred temple.

“Head is sacred temple” originates from Western people; for instance, English speakers still refer to either side of the forehead as “temple.” Thus, the reader can understand Figure 39, where the movement of the philtrum (see fig. 40) represents God breathing. The lower part of Figure 35 indicates that guarding the root gate is guarding the gate for one's ancestors.

17.3-2 升天必備的四件法寶 Four Necessary Treasures for Ascension

圖15,四王天的牌坊上畫着升天所需的四件法寶。從左向右,第一件法寶是個螺,代表翠玉女。第二件法寶是粒種子,是奧林心,相當於我們佛教中的菩提心,參見第16章的開篇部分。第三件法寶是個燧火石,代表青松石王(Xiuhtecuhtli)。

第四件法寶是根線,代表墨西(Mexi),就是青松石王以翠玉女為餌來釣特拉洛克的魚線,也就是太陽石歷內環20個事件所組成的故事。

Figure 15: The archway of Four Kings Sky depicts the four juristic treasures necessary for ascension. From left to right, the first treasure is a conch, representing Chalchiuhtlicue. The second is a seed, representing Ollin Heart, equivalent to the Bodhicitta in Buddhism (see the opening of Chapter 16). The third is a flint, representing Xiuhtecuhtli.

The fourth juristic treasure is a line, representing Mexi, which is the fishing line used by King Turquoise to lure Tlaloc using the Emerald Maiden as bait. It is also the story composed of the 20 events in the inner ring of the Sunstone calendar.

17.3-3 慧解脫 Gnostic Liberation

修習者在懂得了帝釋天(即轉移身見,參見10.4.4.1.4 《根本煩惱》)後,就成為了竹馬天(如圖13)了,就已經是聖人了。這是慧的作用。竹馬天的梵語是補特伽羅,義為習氣疙瘩,歐洲人稱為竹馬。

竹馬天是中土的根基(如圖33)。

After a practitioner understands Seth (i.e., translocation body-view, see 10.4.4.1.4 "Fundamental Annoyances"), he or she becomes a Hobbyhorse Sky (see fig 13), a sage. This is the effect of gnosis. The Sanskrit for Hobbyhorse is Pudgala, meaning a habitual aggregate, which Europeans call a Hobbyhorse.

The Hobbyhorse Sky is the foundation of Middle Earth (as shown in Figure 33).

返回太陽石歷的目錄 Return Catalog of Sunstone Calendar