據說,天才女作家瑪麗(Mary Wollstonecraft Godwin,1797-1851),那個著名詩人雪萊(Percy Bysshe Shelley)未來的妻子,十九歲左右創作的《弗蘭肯斯坦:當代普羅米修士(Frankenstein : or the Modern Prometheus)》,被認為是世界上第一部科學幻想小說,它于1818年元旦面世,隨後被多次改編成戲劇和電影。從此不斷地被搬上舞臺與銀幕,瑪麗1823年還親自觀看過改編的戲劇《弗蘭肯斯坦的命運\》。它還為英語添加了一個新的辭彙:frankenstein,即作法自斃的人(臺灣把他轉譯成科學怪人,英語世界中最近還將轉基因食品以這個詞命名)。
Since its debut in 1819, Mary Shelley\'s novel, Frankenstein, has been the stuff of nightmares...and fuel for the imagination. The consequences of playing God, creating and destroying life at will, and exploiting science are deeply plumbed, yet in the nearly two hundred years since Shelley\'s book was first published, its themes have been continually misinterpreted and its lessons distorted.
The horror genre, in which Shelley\'s book is usually categorized, is a 20th Century invention. What is conveniently forgotten is that Mary Shelley was a 19th Century Romantic, and the Creature in her gothic masterpiece was no monster. When first given life, the Creature was beautiful, articulate, and intelligent--too much so for his own good in fact. The Creature became violent and ugly only when his desire to be loved was met with fear and abandonment by his creator, Dr. Victor Frankenstein.
Popular Culture has not only ignored the early life of Shelley\'s Creature, it has assigned the name \"Frankenstein\" to the creation rather than the creator. No one is more responsible for this than film director James Whale. His 1930s films (Frankenstein and its sequel The Bride of Frankenstein) presented audiences with the indelible image of Shelley\'s Creature as a flat-headed, bolt-necked monster capable only of grunts and destruction.
As you glance at the Frankenstein items on display, note how Whale\'s 70-year-old cinematic vision is still influential today. But stop for a moment and think about Mary Shelley\'s book and its complex metaphors about life, family, and society.