青松石王子（又名左翼蜂鳥，如圖15.4.1.5-1-1）為了造第一顆太陽（相當於佛教的肉眼通），獻祭給了古代的雨神特拉洛克（Tlaloc；如圖2，3，4）500名男童。圖1顯示，青松石王子親手傷害了許多孩子，將為此付出自己的生命。圖2頭頂的劈裂表示，這個作法會讓孩子成為特拉洛克時具有多重性格。圖3顯示，青松石王子會把自己國王的寶座賠償給他的教子，新造出來的特拉洛克，墨西哥。插圖5是現在位於墨西哥城的大浮屠塔。塔頂的兩座墳，一座是太陽神左翼蜂鳥的；另一座是墨西哥人的始祖，本故事中被創造出來的，墨西哥（一位特拉洛克, 亞當）的。

Turquoise Prince (Xiuhpilli, aka. Huitzilopochtli, as in Fig. 15.4.1.5-1-1) sacrificed 500 baby boys to ancient Tlaloc, the god of rain (as in Figs. 2, 3, 4), to make the first sun (the Buddhist equivalent of Flesh Eye Through). Figure 1 shows that Prince Turquoise has personally harmed many of the children and will pay for it with his own life. The split on the top of the head in Figure 2 indicates that this practice will cause the child to have multiple personalities when he becomes Tlaloc. Illustration 3 shows that Turquoise Prince would compensate his throne as king to his godson, the newly created Tlaloc, Mexico. Illustration 5 shows the “Great Floating Paints Tower (Templo of Mayor)” in modern Mexico City; the two tombs at the top of the tower, one is Sun God Huitzilopochtli, another of Mexican primogenitor, Mexico (a Tlaloc, Adam) created in this story.

據墨西哥原住民說，獻祭特拉洛克時，適齡男嬰的母親們抱着自己的孩子去到指定的地點，把孩子交給祭師。並且說孩子哭，好，意味着吉祥。翠玉女（Chalchiuhtlicue，夏娃，女祭司）會安慰孩子。具體的獻祭過程是秘密的，孩子的母親看不見。那麼古代的墨西哥人是怎樣造這第一顆太陽的呢？

According to the indigenous people of Mexico, during the dedication of Tlaloc, mothers of male infants of the right age went to the designated place with their children in their arms and handed them over to the priests. It is said that if the boy cries, it is good, meaning Auspicious. Chalchiuhtlicue (Jade Girl, Eve, a priestess) would comfort the child. The exact process of dedication was secret and invisible to the child's mother. So how did the ancient Mexicans make the first sun?

2. 蒙眼睛 Blindfolding

插圖15.4.1.5-2-1表示青松石王子正在秘密地做他的髒活。他會在金童和金童的父母都不知情的情況下，把金童培養成一位特拉洛克（釋迦摩尼類的佛），再把金童放進他女兒翠玉女的瓶子裡。那瓶子代表他女兒女神的法界。同時，青松石王子把金童和玉女都放進自己的瓶子。圖1中的瓶子代表他自己的法界。這樣他們三人就被捆綁在了一起，成為了一組上帝三合和。

Illustration 15.4.1.5-2-1 indicates that Turquoise Prince is doing his dirty work secretly. He will raise the Gold Boy into a Tlaloc (Buddha of Shakyamuni type) without the knowledge of either the Gold Boy or the Gold Boy's parents and then put the Gold Boy into the bottle of his daughter, Chalchiuhtlicue. That bottle represented the juristic boundary of his daughter's goddess. At the same time Turquoise Prince put both the Gold Boy and the Jade Girl (Chalchiuhtlicue) into his own bottle which represents his own juristic boundary. In this way the three of them were bound together as the Godly Trinity.

筆者我認為具體的獻祭過程有三個步驟。第一步，蒙眼：在小孩兒剛懂事，還不太懂事的年齡階段，把孩子放在一個四周沒人的地方。神父站在遠處，得讓孩子看見他，然後神父疾速沖向小孩兒，讓小孩兒大吃一驚，再快速離開。小孩兒這麼看着，加上這一驚，據說，這孩子的眼睛就被蒙住了（如圖15.4.1.5-2-2）。眼睛被蒙上的原因是孩子患了嬰幼兒神經發育失調症，有視覺障礙，看不見遠處的東西。為什麼孩子哭，是好事？孩子不哭，那就是沒被嚇着，那他不會患上嬰幼兒神經發育失調症，這作法就失敗了。

The author I believe that there are three steps in the specific process of sacrifice. The first step is Blindfolding, is to place the child in a place where there is no one around, at an age when the child is just getting the hang of things, not quite yet. The Godfather stands at a distance, having to be visible to the child, and then the Godfather sprints towards the child, startles the child, and then quickly leaves. With the child looking like this, and with this surprise, it is said that the child's eyes were blindfolded (as in Figure 15.4.1.5-2-2). The reason the eyes were blindfolded was that the child had infantile neurodevelopmental disorder, a visual impairment, cannot see far. Why is it a good thing for a child to cry? If the child does not cry, it means he is not frightened, and he will not suffer from infantile neurodevelopmental disorders, so this approach has failed.

3. 金童病了 Gold Boy Was Sick

插圖15.4.1.5-2-3是墨西哥博物館裡的雕像，母親抱着生病的孩子，憂心忡忡，不知所措。母親和孩子的身上雕刻的圖案表明這孩子是金童，即幼年的特拉洛克。現代的醫生根據許多如圖4，5，6的陶俑診斷這孩子的中樞神經受到了損傷。

Illustration 15.4.1.5-2-3 is a statue in a Mexican museum of a mother holding her sick child, worried overwhelmingly. The carvings on the bodies of the mother and child indicate that the child is the Gold Boy, the infant Tlaloc. Modern doctors have diagnosed the child as having central nervous system damage based on the many terracotta figurines such as Figures 4, 5, and 6.

現代的美國精神病手冊里就有這樣的描述，精神病人感覺視力被白霧所障礙，看不清楚遠處。這種現象古墨西哥人就說把孩子的眼睛蒙住了。

The modern American psychiatric manual describes this as a mental patient feeling that his vision is impaired by a white fog and that he cannot see clearly in the distance. This phenomenon was said by the ancient Mexicans to have blindfolded the child.

圖4和5顯示金童笨手笨腳的，肢體運動不協調。圖6明顯是個傻子，難道墨西哥的開國皇帝是個傻子嗎？筆者我認為圖4和5顯示的是金童幼年的真實狀況；而圖6顯示的成年的特拉洛克不是常態，而是偶爾顯現的由幼年創傷導致的神經發育失調狀態。

Figures 4 and 5 show that the golden boy is clumsy and has uncoordinated body movements. Figure 6 is obviously a fool; is Mexico's founding emperor is a fool? The author I believe that Figures 4 and 5 show the true condition of the golden boy in his early childhood; while Figure 6 shows the adult Tlaloc not as the norm, but as a state of occasional neurodevelopmental disorders caused by early childhood trauma.

4. 啟蒙 Revelation

肉眼通做法得第二步是啟蒙。在孩子的眼睛被蒙上幾個月或一年之後，再找一個和那個沖了小孩兒的人長得相似的人，這人要和孩子既不是陌生人也不是熟人。把那個沖它的人做過的事兒再做一遍，這次讓小孩兒看清楚。他們說，這麼一作，孩子的眼蒙就被揭開了。孩子的嬰幼兒神經發育失調症得到了治療，但遺留下了精神病潛伏症，所以需要第三步的作法。青松石王子秘密地委派金童的遠親谷伯（如圖15.4.1.5.3-1，2，3）給金童啟蒙。

Step 2 of making “Flesh Eye Through” is revelation. After the child's eyes have been blindfolded for a few months or a year, find someone who looks like the Godfather who charged (flushed, rushed) the child, who is neither a stranger nor an acquaintance of the child, to do the same thing again that the Godfather who had done it to the child. This time let the child see it clearly. They say that by doing this, the child's blindfold is uncovered. The child's infantile neurodevelopmental disorder was treated, but a latent psychosis was left behind, so a third step was needed. Prince Turquoise secretly delegated Uncle Maize (as in Figure 15.4.1.5.3-1, 2, 3), a distant relative of Gold Boy, to uncover the Gold Boy’s eyes.

順便說一下，傳統上，肉眼通的第三步作法（如插圖15.4.1.5.2-2）是在這個孩子十七歲到二十四歲的時候，等到這個孩子的肉眼通已經形成了，孩子的師父，孩子的父母和這個孩子最信任的人一起，把肉眼通作法的事告訴給這個孩子。讀者當知本文的金童（墨西哥）並沒有受到第三步的作法，因為他離家出走，逃到國外去了。

By the way, traditionally, the third step in the practice of the Flesh Eye Through (as shown in Illustration 15.4.1.5.2-2) is when the child is between the ages of 16 and 25, and when the child's Flesh Eye through has been formed, the child's Godfather, the child's parents, and those whom the child trusts the most, together, inform the child of the practice of the Flesh Eye Through. The reader should know that the Gold Boy of this article (Mexico) was not subjected to the third step of the practice, because he ran away from home and escaped to a foreign country.

返回墨西哥法典的目錄Back Catalog of Mexican Codex