2026 Raphael: Sublime Poetry(纽约大都会博物馆·“拉斐尔：崇高诗篇”)-儿歌荟萃-万维博客-万维读者网（电脑版）

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		2026 Raphael: Sublime Poetry(纽约大都会博物馆·“拉斐尔：崇高诗篇”)	2026-04-06 09:38:15

2026-04-04 Holy Saturday

The Met.jpg

【Letters of a Soldier-VII

The Surprises of the Superhuman (1918)】

Wallace Stevens (1879—1955)

29 Novembre au Matin, en Cantonnement

Teller fut la beauté d'hier.Te parlerai-je des soirées précédentes,alors que sur la route, la lune me dessinait la broderie des arbres, le pathétique des calvaires,l'attendrissement de ces maisons que l'on sait des ruines, mais que la nuit fait surgir comme un évocation de la paix.

Teller was the beauty of yesterday. Shall I tell you of the previous evenings, when on the road, the moon drew for me the embroidery of the trees, the pathos of the calvaries, the tenderness of those houses which we know to be ruins, but which the night makes emerge as an evocation of peace.

The moon is the mother of pathos and pity.

When, at the wearier end of November,

Her old light moves along the branches,

Feebly, slowly, depending upon them;

When the body of Jesus hangs in a pallor,

Humanly near, and the figure of Mary,

Touched on by hoar-frost, shrinks in a shelter

Made by the leaves, that have rotted and fallen;

When over the houses, a golden illusion

Brings back an earlier season of quiet

And quieting dreams in the sleepers in darkness—

The moon is the mother of pathos and pity.

—— • —— • —— • —— • —— • —— • —— • ——

【《士兵的来信之七·月亮释义》(1918)】

华莱士·史蒂文斯“异乡人·花环”(1879生—1955卒)

【红霞译】

11月29日上午，营地

泰勒“叙事者”是昨日的美人，要我告诉你前几夜的场景吗？路上的月光为我勾勒了树木的纹样，描绘出十字架的悲怆，以及那些众所周知已成废墟的温柔，但夜色让它们化作对宁静的呼唤。

月亮是悲情与怜悯之母。

在十一月的倦怠尽头，

她苍老的光芒游离树梢，

无力而迟缓，依附着枝条；

当耶稣的躯体悬挂在苍茫之中，

洋溢着人间气息，而玛利亚的身影，

被寒霜覆盖，蜷缩于

腐烂落叶的遮蔽之中；

当掠过房子，金色光芒

带回往昔宁静的时节，

还有黑夜沉睡者的梦乡——

月亮是悲情与怜悯之母。

【注】复活节前夕的曼哈顿“弓岛”，空气里还残留着冬日的尾音，我却迫不及待地走进了纽约大都会艺术博物馆，去看“拉斐尔：崇高诗篇”的展览。展厅里光线柔和而克制，仿佛怕惊扰了画中人物500年的安眠。170多幅作品——素描、油画、挂毯——沿着墙壁次第展开，从乌尔比诺“小城”(Urbino)到佛罗伦萨“花城”(Florence)，从佛罗伦萨到罗马“力量之城”，像一部用视觉写成的传记，安静地讲述着拉斐尔·桑齐奥·达·乌尔比诺“小城的神圣治愈者”(Raffaello Sanzio da Urbino)(1483—1520年)短短37年的一生。我先是看到了他的父亲乔瓦尼·桑蒂“神慈·神圣”(Giovanni Santi)，笔触里还有旧时代的虔诚与朴素；接着是前辈弗拉·卡内瓦莱“兄弟斋戒”(Fra Carnevale)，严谨的构图已经透露出某种对秩序的热望。然后是他的导师彼得罗·佩鲁吉诺“磐石·神慈”(Pietro Vannucci)——那些优雅的人物和淡蓝色的远山，像是为拉斐尔铺好的第一层台阶。还有他的同伴平图里乔“小画家”(Bernardino di Betto or Pinturicchio)，华丽而细腻；他的学生朱利奥·罗马诺“年轻的罗马人”(Giulio Romano)，已经开始展现出属于自己的力量。这个展览不只是在展示一个天才，而是在展示一条河流的源头与支流：文艺复兴早期到盛期的演变，就藏在这些画与画之间微妙的差异里。拉斐尔站在这些人的肩膀上，看得更远，也画得更动人。

然而真正让我驻足不前的，是拉斐尔自己的作品。站在那幅圣母像前，我幡然领悟了“崇高诗篇”这四个字的分量。画中的圣母低垂着眼眸，怀抱着圣婴，神情里有温柔，有哀愁，还有一种难以言喻的、属于人间的深情。拉斐尔把乌尔比诺和佩鲁贾孕育出的自然主义——那种对真实世界的细致观察与忠实再现——提升到了一种近乎音乐的和谐境界。他的线条流畅如诗，色彩饱满如交响乐，构图严谨却又毫不呆板。更令人惊叹的是，他把两个看似截然不同的时代缝合在了一起：一边是过去的装饰传统，那种金色背景中的庄严与神圣；另一边是文艺复兴盛期新兴的现实主义，那种对血肉之躯、对情感瞬间的诚实描绘。他缝得那样天衣无缝，你几乎看不见针脚。于是，神不再是高高在上的神，而是可以低头的母亲；人也不再是卑微的人，而是可以被光笼罩的存在。绘画是一种沉默的诗歌，诗歌是盲目的绘画——拉斐尔的画布上，诗与画不再区分彼此，他用线条和色彩写出了一首不需要翻译的赞美诗。这就是拉斐尔的创新，也是他定义的巅峰——一种既宏大又温柔、既真实又超验的美。

走出展厅时，明天复活节的钟声就要从各个教堂传来，想必沉闷而悠远。纽约的天空现已染上了薄暮的颜色，风里依然有寒意，但我知道春天就在不远处。拉斐尔只活了37年，离开罗马时整座城市为他哭泣。500年过去了，我站在大西洋的这一边，隔着时间与海洋，看着他的画，心里却觉得离他很近。那些圣母的目光穿越了五个世纪，依然温柔地落在每一个驻足的人身上。这个展览叫“崇高诗篇”，可我觉得，拉斐尔留下的不是诗——诗需要阅读，需要理解；他留下的是一种更直接的东西，一种不需要翻译的美。而我们这些后来的人，不过是走进展厅，安静地站一会儿，然后带着那一小片被照亮的内心，回到各自平凡的生活里去。

Today in History(历史上的今天):

2026: Van Gogh: Expressionism(纽约大都会博物馆·梵高：表现主义先驱)

2026: Renoir: Master of Color & Light(大都会博物馆·雷诺阿：色彩光线大师)

2026: Cézanne: Father of Modern Art(纽约大都会博物馆·塞尚：现代艺术之父)

2026: Monet, Impressionist(纽约大都会博物馆·莫奈：印象派鼻祖)

2013: St Cruz's Bachas Beach, Galapagos(巨龟群岛圣克鲁斯岛·巴查斯海滩)

2013: N. Seymour, Ecuador(厄瓜多尔北黑暗岛)

2012: 忆淮滨(In Memory of Huaibin)

2011: 埃及教长湾—和平之城(Sharm El-Sheikh the City of Peace, Egypt)

2011: 埃及亚历山大—地中海明珠(Alexandria—Pearl of the Mediterranean, Egypt)

2009: 玩具(Toys)

2026-04-04_001_The Met, the Largest Art Museum in the Americas, Featuring Neoclassical Architecture-10001.jpg Metropolitan Museum of Art or the Met, the Largest Art Museum in the Americas, Featuring Neoclassical Architecture

(大都会艺术博物馆——美洲最大的艺术博物馆，以新古典主义建筑为特色 04-04-2026)

1993-12-11_MMA_Patio from the Castle of Vélez Blanco, a Jewel of Early 16th-Century Spanish Architecture0001.jpg Patio from the Castle of Vélez Blanco, a Jewel of Early 16^th-Century Spanish Architecture

(韦莱斯·布兰科“好战之子·白色”城堡庭院——16世纪初西班牙建筑的瑰宝 12-11-1993)

2026-04-04_028_Fra Carnevale, The Birth of the Virgin, 1467, Part of an Altarpiece for the Church of Santa Maria della Bella in Urbino0001.jpg

Fra Carnevale, The Birth of the Virgin, 1467, Part of an Altarpiece for the Church of Santa Maria della Bella in Urbino

弗拉·卡尔内瓦莱 |《圣母诞生》| 1467年 | 乌尔比诺美丽的圣母玛利亚教堂祭坛画局部

2026-04-04_029_Giovanni Santi, The Life and Deeds of Federico da Montefeltro, Duke of Urbino, 1482-84, the Only Surviving Manuscript Copy of This Work0001.jpg Giovanni Santi, The Life and Deeds of Federico da Montefeltro, Duke of Urbino, 1482-84, the Only Surviving Manuscript Copy of This Work

(乔瓦尼·桑蒂 |《乌尔比诺公爵费德里科·达·蒙特费尔特罗“坚固之山的和平统治者”的生平与功绩》| 1482—84年 | 该作品现存唯一的抄本)

2026-04-04_030_Giovanni Santi, A Woman Standing before Rocks (The Muse Clio), 1490–94， Using Pen, Brown Ink, Brush, Gray Wash, & White Gouache on Prepared Paper0001.jpg

Giovanni Santi, A Woman Standing before Rocks (The Muse Clio), 1490–94，Pen, Brown Ink, Brush, Gray Wash, & White Gouache on Prepared Paper

(乔瓦尼·桑蒂 |《立于岩石前的女子》(缪斯克利俄“荣耀”) | 1490—94年 | 使用钢笔、棕色墨水、画笔、灰色水墨及白色水粉绘于特制纸上)

2026-04-04_031_Giovanni Santi Martyr-Saint Standing in a Landscape (Probably Saint Ursula), 1490–94, Oil & Tempera Grassa on Wood Panel0001.jpg

Giovanni Santi, Martyr-Saint Standing in a Landscape (Probably Saint Ursula), 1490–94, Oil & Tempera Grassa on Wood Panel

(乔瓦尼·桑蒂 |《立于风景中的殉道圣人》(疑为圣乌苏拉“母熊”) | 1490—94年 | 木板油彩与油性蛋彩)

2026-04-04_032_15th-Century Central Italian Artist (Possibly Fra Carnevale), The Ideal City, 1475-1490, Oil & Tempera Grassa on Wood0001.jpg 15^th-Century Central Italian Artist (Possibly Fra Carnevale), The Ideal City, 1475-1490, Oil & Tempera Grassa on Wood

(15世纪意大利中部艺术家(疑为弗拉·卡尔内瓦莱) |《理想之城》| 1475—90年 | 木板油彩与脂肪蛋彩)

2026-04-04_033_Perugino, The Dead Christ w Joseph of Arimathea & Nicodemus, 1495–98, Oil & Tempera Grassa on Wood, Transferred to Canvas & Mounted on Wood0001.jpg

Perugino, The Dead Christ w/ Joseph of Arimathea & Nicodemus, 1495–98, Oil & Tempera Grassa on Wood, Transferred to Canvas & Mounted on Wood

(佩鲁吉诺 |《死去的基督与亚利马太“高地”的约瑟“神赐”及尼哥底母“人民的胜利”》，1495—98年，木板油彩与脂肪蛋彩，后移至画布并装裱于木板之上)

2026-04-04_034_Perugino,Bacchus with Satyr, c. 1495–1500, Black Chalk, Pen & Brown Ink, Brown Wash, & White Gouache on Paper0001.jpg Perugino, Bacchus w/ Satyr, 1495–1500, Black Chalk, Pen & Brown Ink, Brown Wash, & White Gouache on Paper

(佩鲁吉诺 |《酒神与萨提尔“森林精灵”》| 1495—1500年 |纸本，黑粉笔、钢笔与棕色墨水、棕色水洗及白色水粉)

2026-04-04_035_Perugino, The Seated Saint Augustine (Cartoon for a Painting), ca 1500, Pen && Brown Ink, Brush, & Pale Brown Wash on Paper.jpg

Perugino, The Seated Saint Augustine (Cartoon for a Painting), ca 1500, Pen && Brown Ink, Brush, & Pale Brown Wash on Paper

(佩鲁吉诺 |《坐着的圣奥古斯丁“崇高”》（画作草图) | 约1500年 | 纸本，钢笔与棕色墨水、画笔及淡棕色晕染)

2026-04-04_036_Perugino, Study of a Kneeling Youth & the Head of Another and Studies for Kneeling Youths, 1495–1500, Metalpoint on Paper Prepared Pale Pink-cream0001.jpg

Perugino, Study of a Kneeling Youth & the Head of Another and Studies for Kneeling Youths, 1495–1500, Metalpoint on Paper Prepared Pale Pink-cream

(佩鲁吉诺 |《跪姿青年及另一人头部习作》与《跪姿青年习作》| 1495—1500年 | 金属尖笔画，绘于淡粉奶油色底纸)

2026-04-04_037_Perugino, Study of a Kneeling Youth and of the Head of Another, ca 1500, Metalpoint on Pale Pink-Beige Prepared Paper0001.jpg

Perugino, Study of a Kneeling Youth and of the Head of Another, ca 1500, Metalpoint on Pale Pink-Beige Prepared Paper

(佩鲁吉诺 |《跪姿青年与另一人头像习作》| 约1500年 | 金属尖笔画于淡粉米色底纸)

2026-04-04_038_Perugino, Saint Augustine w Members of an Augustinian Confraternity, ca. 1500, Oil on Wood0001.jpg

Perugino, Saint Augustine w/ Members of an Augustinian Confraternity, ca. 1500, Oil on Wood

(佩鲁吉诺 |《圣奥古斯丁与奥古斯丁会兄弟会成员》| 约1500年 | 木板油画)

2026-04-04_039_Perugino, The Virgin & Child w Members of the Flagellant Confraternity of Santa Maria Novella (The Madonna della Consolazione), 1496-1499, Oil & Tempera Grassa on Wood0001.jpg

Perugino, The Virgin & Child w/ Members of the Flagellant Confraternity of Santa Maria Novella (The Madonna della Consolazione), 1496-1499, Oil & Tempera Grassa on Wood

(佩鲁吉诺 |《圣母子与新圣母玛利亚鞭笞会成员》(安慰圣母) | 1496—99年 | 木板上的油画和蛋彩画)

2026-04-04_040_Pinturicchio (Bernardino di Betto), The Seated Saint Augustine with Confraternity Brothers (Gonfalone di Sant'Agostino), 1499–1500, Painted on Silk0001.jpg

Pinturicchio, The Seated Saint Augustine with Confraternity Brothers (Gonfalone di Sant'Agostino), 1499–1500, Painted on Silk

(平图里乔 |《坐着的圣奥古斯丁与兄弟会兄弟》(圣奥古斯丁的旗帜) | 1499—1500年 | 画在丝绸上)

2026-04-04_041_Raphael, Processional Banner The Holy Trinity w Saints Sebastian & Roch, 1497–99, Oil on Canvas0001.jpg Raphael, Processional Banner The Holy Trinity w/ Saints Sebastian & Roch, 1497–99, Oil on Canvas

(拉斐尔 |《游行旗帜：圣三位一体与圣塞巴斯蒂安“受人敬仰”和圣罗克“岩石”》| 1497—99年 | 布面油画)

2026-04-04_042_ Raphael, The Virgin & Child in a Landscape - Landscape (Sketches for the Norton Simon Madonna), 1502–3, Pen & Brown Ink over Preliminary Stylus Underdrawing, on Paper0001.jpg Raphael, The Virgin & Child in a Landscape - Landscape (Sketches for the Norton Simon Madonna), 1502–03, Pen & Brown Ink over Preliminary Stylus Underdrawing, on Paper

(拉斐尔 |《风景中的圣母子》(诺顿·西蒙“北镇·聆听”的圣母像草图)| 1502—03年 | 钢笔和棕色墨水，纸本，底稿为细笔勾线)

2026-04-04_043_Raphael, Workshop Assistant Posing for Studies of the Seated Virgin; Marginal Sketches (The Norton Simon Madonna), 1502-03, 2 Hues of Metalpoint on Paper0001.jpg

Raphael, Workshop Assistant Posing for Studies of the Seated Virgin; Marginal Sketches (The Norton Simon Madonna), 1502-03, 2 Hues of Metalpoint on Paper

(拉斐尔、工作室助理 |《圣母坐姿习作；边缘草图(诺顿·西蒙圣母像)》| 1502—03年，纸上金属尖笔画，两种色调)

2026-04-04_044_Raphael, The Ansidei Madonna, 1503–1505, Pen & Brown Ink on Paper0001.jpg

Raphael, The Ansidei Madonna, 1503–1505, Pen & Brown Ink on Paper

(拉斐尔 |《安西代圣母像》| 1503—05年 | 纸上钢笔和棕色墨水画)

2026-04-04_045_Raphael The Adoration of the Magi Full-Scale Composition Study for the Center Scene in the Predella of the Oddi Altarpiece, 1502–4, Pen & Brown Ink over Black Chalk, Charcoal, &0001.jpg Raphael, The Adoration of the Magi Full-Scale Composition Study for the Center Scene in the Predella of the Oddi Altarpiece, 1502–4, Pen & Brown Ink over Stylus and Leadpoint Underdrawings

(拉斐尔 |《三博士来朝》奥迪祭坛画底座中心场景全尺寸构图习作 | 1502—04年 | 钢笔和棕色墨水绘制于尖笔和铅笔底稿之上)

2026-04-04_046_Raphael, The Presentation in the Temple, 1502-1503, Tempera Grassa on Wood Transferred to Canvas0001.jpg Raphael, The Presentation in the Temple, 1502-03, Tempera Grassa on Wood Transferred to Canvas

(拉斐尔 |《圣殿献婴》| 1502—03年 | 木板蛋彩画，后转印至画布)

2026-04-04_047_Raphael, Coronation of Mary, 1502-3 (Pala Oddi) Predella w the Epiphany, Tempera Grassa on Wood Panel0001.jpg Raphael, Coronation of Mary, 1502-03 (Pala Oddi) Predella w/ the Epiphany, Tempera Grassa on Wood Panel

(拉斐尔 |《圣母加冕》| 1502-1503年 | 奥迪“富有”祭坛画 | 主显节祭坛画底座，木板蛋彩画)

2026-04-04_048_Raphael, The Annunciation, 1502-1504, the Left Panel of the Predella for the Oddi Altarpiece, Tempera Grassa (Egg-Oil) on Canvas0001.jpg Raphael, The Annunciation, 1502-04, the Left Panel of the Predella for the Oddi Altarpiece, Tempera Grassa (Egg-Oil) on Canvas

(拉斐尔 |《天使报喜》| 1502—04年 | 奥迪祭坛画底座左侧板 | 蛋彩油画，布面油画)

2026-04-04_049_Raphael, The Annunciation (Cartoon for the Left Scene in the Predella of the Oddi Altarpiece), 1503-04, Pen & Brown Ink, w Brown Wash, Compass Work, & Stylus Drawing on Paper0001.jpg Raphael, The Annunciation (Cartoon for the Left Scene in the Predella of the Oddi Altarpiece), 1503-04, Pen & Brown Ink, w/ Brown Wash, Compass Work, & Stylus Drawing on Paper

(拉斐尔 |《天使报喜》| 奥迪祭坛画底座左侧场景草图 | 1503—04年 | 钢笔和棕色墨水，棕色水彩，圆规勾勒，纸上尖笔画)

2026-04-04_050_ Raphael, Saint Sebastian in Half-Length, 1502-03, Oil & Tempera Grassa (a Mixture of Egg Tempera & Oil) on a Wooden Panel, Incorporating Gold Highlights0001.jpg

Raphael, Saint Sebastian in Half-Length, 1502-03, Oil & Tempera Grassa (a Mixture of Egg Tempera & Oil) on a Wooden Panel, Incorporating Gold Highlights

(拉斐尔 |《半身圣塞巴斯蒂安》| 1502—03年 | 木板油画及蛋彩画(蛋彩与油的混合物)，并运用金箔点缀)

2026-04-04_051_Raphael， Study of a Female Saint in Half-Length (Saint Catherine), ca 1504, Black Chalk over a Stylus Underdrawing on Paper0001.jpg

Raphael, Study of a Female Saint in Half-Length (Saint Catherine), ca 1504, Black Chalk over a Stylus Underdrawing on Paper

(拉斐尔 |《半身女圣徒习作(圣凯瑟琳“纯洁”)》| 约1504年 | 纸上黑粉笔素描，以尖笔勾勒底稿)

2026-04-04_052_Raphael, Head of a Young Man, 1503-04, Black Chalk over Preliminary Stylus Underdrawing, Highlighted w White Gouache on Paper0001.jpg

Raphael, Head of a Young Man, 1503-04, Black Chalk over Preliminary Stylus Underdrawing, Highlighted w/ White Gouache on Paper

(拉斐尔 |《青年男子头像》| 1503—04年 | 黑色粉笔绘于纸上，以白色水粉颜料提亮)

2026-04-04_053_Raphael, Christ Blessing with the Stigmata in a Landscape, 1504–05, Oil on Wood0001.jpg

Raphael, Christ Blessing w/ the Stigmata in a Landscape, 1504–05, Oil on Wood

(拉斐尔 |《风景中基督以圣痕祝福》| 1504-05年 | 木板油画)

2026-04-04_054_Raphael, Cartoon for Saint Mary Magdalen, c. 1503, Pen, Brown Ink, Brush, Wash, & Black Chalk on Paper0001.jpg

Raphael, Cartoon for Saint Mary Magdalen, c. 1503, Pen, Brown Ink, Brush, Wash, & Black Chalk on Paper

(拉斐尔 |《抹大拉“高地”的圣玛丽亚》草图 | 约1503年 | 纸上钢笔、棕色墨水、毛笔、水彩和黑色粉笔画)

2026-04-04_055_Bastiano (Aristotile) da Sangallo, The Central Episode of the Bathers in the Battle of Cascina, c 1542, a Monochrome Copy (Grisaille) on Poplar Wood0001.jpg Bastiano (Aristotile) da Sangallo, The Central Episode of the Bathers in the Battle of Cascina, c 1542, a Monochrome Copy (Grisaille) on Poplar Wood

[巴斯蒂亚诺(阿里斯托蒂莱)·达·桑加洛“至美的庄严(卓越)”|《卡西纳“农舍”战役中的浴女们》| 约1542年 | 杨木板单色临摹本(灰泥画)]

2026-04-04_056_Raphael, The Entombment，c. 1507, Black Chalk & Red Chalk to Refine the Figures & Composition0001.jpg Raphael, The Entombment，c. 1507, Black Chalk & Red Chalk to Refine the Figures & Composition

(拉斐尔 |《耶稣下葬》 | 约1507年 | 用黑粉笔和红粉笔勾勒人物和构图)

2026-04-04_057_Raphael, The Deposition (or Baglioni Altarpiece), c 1507, Pen & Brown Ink over Black Chalk, Utilizing Stylus-Incised Lines for Construction on Paper0001.jpg

Raphael, The Deposition (or Baglioni Altarpiece), c 1507, Pen & Brown Ink over Black Chalk, Utilizing Stylus-Incised Lines for Construction on Paper

[拉斐尔 |《卸下圣体》(或巴廖尼“旗帜”祭坛画) | 约1507年 | 钢笔和棕色墨水绘于黑色粉笔底稿上，利用尖笔刻线在纸上勾勒出结构)

2026-04-04_058_Roman Marble Sarcophagus Fragment Depicting the Death of the Greek Hero Meleager, Served as a Visual Model for Raphael, the Baglioni Altarpiece0001.jpg Roman Marble Sarcophagus Fragment Depicting the Death of the Greek Hero Meleager, Served as a Visual Model for Raphael, the Baglioni Altarpiece

(描绘《希腊英雄墨勒阿革“热爱狩猎者”之死》的罗马大理石石棺残片，曾作为拉斐尔创作巴廖尼祭坛画的视觉原型)

2026-04-04_059_Raphael, Composition Study for the Entombment (The Baglioni Altarpiece), c 1507, Pen, Brown Ink, Black Chalk, & Stylus Underdrawing0001.jpg Raphael, Composition Study for the Entombment (The Baglioni Altarpiece), c 1507, Pen, Brown Ink, Black Chalk, & Stylus Underdrawing

[拉斐尔 |《下葬仪式构图习作(巴廖尼祭坛画)》| 约1507年 | 钢笔、棕色墨水、黑色粉笔和尖笔底稿]

2026-04-04_060_Raphael, Lamentation, c 1507, Pen & Brown Ink over Preliminary Leadpoint Underdrawing0001.jpg

Raphael, Lamentation, ca. 1507, Pen & Brown Ink over Preliminary Leadpoint Underdrawing

(拉斐尔 |《哀悼》| 约1507年 | 钢笔和棕色墨水绘制于铅笔稿底稿之上)

2026-04-04_061_Raphael, Studies Mainly for the Virgin & Child & the Infant Saint John the Baptist (Sheet from the Pink Sketchbook), 1509-10, 2 Types of Metalpoint on Paper Prepared Pink0001.jpg

Raphael, Studies Mainly for the Virgin & Child & the Infant Saint John the Baptist (Sheet from the Pink Sketchbook), 1509-10, 2 Types of Metalpoint on Paper Prepared Pink

[拉斐尔 |《圣母子与幼年施洗约翰习作》(选自粉色素描本) | 1509—10年 | 两种金属尖笔画于粉色底纸上]

2026-04-04_062_Raphael, The Heads of the Virgin and Child, 1507-09, Metalpoint on Prepared Surface0001.jpg

Raphael, The Heads of the Virgin and Child, 1507-09, Metalpoint on Prepared Surface

(拉斐尔 |《圣母子像》 | 1507—09年 | 金属尖笔画于预处理过的表面上)

2026-04-04_063_Raphael, The Virgin and Child (Cartoon for the Tempi Madonna), c 1507, Black Chalk, Charcoal, & White Gouache on Off-White Paper0001.jpg Raphael, The Virgin & Child (Cartoon for the Tempi Madonna), ca 1507, Black Chalk, Charcoal, & White Gouache on Off-White Paper

[拉斐尔 |《圣母子》(坦皮“美丽的山谷”圣母像草图) | 约1507年 | 黑粉笔、木炭和白色水粉颜料绘于米白色纸上)]

2026-04-04_064_Raphael & Giulio Romano, The Virgin and Child with Angels (The Madonna of the Candelabra), 1514–16, Oil on Poplar Wood0001.jpg Raphael & Giulio Romano, The Virgin and Child w/ Angels (The Madonna of the Candelabra), 1514–16, Oil on Poplar Wood

(拉斐尔和朱利奥·罗马诺 |《圣母子与天使》(烛台上的圣母) | 1514—16年 | 白杨木油画)

2026-04-04_065_Raphael & Giulio Romano, Portrait of the Nude Fornarina (La Fornarina), 1508-20, Oil on Wood0001.jpg

Raphael & Giulio Romano, Portrait of the Nude Fornarina (La Fornarina), 1508-20, Oil on Wood

(拉斐尔和朱利奥·罗马诺 |《福纳里“面包师女儿”纳裸体肖像》(面包师女儿) | 1508—20年 | 木板油画)

2026-04-04_066_Raphael, Portrait of Baldassare Castiglione, 1514-16, Oil on Canvas0001.jpg

Raphael, Portrait of Baldassare Castiglione, 1514-16, Oil on Canvas

(拉斐尔 |《巴尔达萨雷·卡斯蒂廖内“勇敢保护者·防御工事”肖像》| 1514—16年 | 布面油画)

2026-04-04_067_Raphael, Portrait of Bindo Altoviti, 1515-16, Oil on Wood0001.jpg

Raphael, Portrait of Bindo Altoviti, 1515-16, Oil on Wood

(拉斐尔 |《宾多·阿尔托维蒂“蒙福·高贵”肖像》| 1515—16年 | 木板油画)

2026-04-04_068_Marcantonio Raimondi, Quos Ego after a design by the High Renaissance master Raphael, 1515-18, Engraving, 1st State of 20001.jpg

Marcantonio Raimondi, Quos Ego after a design by the High Renaissance Master Raphael, 1515-18, Engraving, 1st State of 2

(马克安东尼奥·雷蒙迪 |《何谓自我》| 根据文艺复兴盛期大师拉斐尔的设计创作，1515—18年，版画，此为两版中的第一版）

2026-04-04_069_Raphael, The Death of Lucretia, 1510-12, Pen & Brown Ink over Black Chalk on Paper0001.jpg

Raphael, The Death of Lucretia, 1510-12, Pen & Brown Ink over Black Chalk on Paper

(拉斐尔 |《卢克丽霞“财富”之死》| 1510—12年 | 纸上钢笔和棕色墨水，黑色粉笔打底)

2026-04-04_070_Raphael, Heads and Hands of Two Apostles (Auxiliary Cartoon for the Transfiguration), 1519-20, Black Chalk & White Gouache Highlights on Paper0001.jpg

Raphael, Heads & Hands of 2 Apostles (Auxiliary Cartoon for the Transfiguration), 1519-20, Black Chalk & White Gouache Highlights on Paper

(拉斐尔 |《两位使徒的头像和手》(耶稣显圣容的辅助草图) | 1519—20年 | 纸上黑白粉笔和水粉高光)

2026-04-04_071_Raphael, The Ecstasy of Saint Cecilia w Saints Paul, John the Evangelist, Augustine, & Mary Magdalen, 1515-16, Oil on Canvas Transferred from Wood0001.jpg

Raphael, The Ecstasy of Saint Cecilia w/ Saints Paul, John the Evangelist, Augustine, & Mary Magdalen, 1515-16, Oil on Canvas Transferred from Wood

(拉斐尔 |《圣塞西莉亚与圣保罗、圣约翰、圣奥古斯丁和圣玛利亚的狂喜》| 1515—16年 | 从木板转到画布上的油画

2026-04-04_072_Raphael, The Virgin and Child with the Infant Saint John the Baptist and Saints Elizabeth and Joseph (The Madonna del Divino Amore), 1516-18, Oil on Wood0001.jpg

Raphael, The Virgin & Child w/ the Infant Saint John the Baptist & Saints Elizabeth & Joseph (The Madonna del Divino Amore), 1516-18, Oil on Wood

[拉斐尔，《圣母子与幼年圣约翰“神赐”、圣伊丽莎白“神谕”和圣约瑟“神赐”(神圣之爱圣母)》| 1516—18年 | 木板油画]

2026-04-04_073_Raphael, The Holy Family w the Infant Saint John the Baptist (The Madonna of the Rose, or Madonna della Rosa), 1517-18, Oil on Canvas0001.jpg

Raphael, The Holy Family w/ the Infant Saint John the Baptist (The Madonna of the Rose, or Madonna della Rosa), 1517-18, Oil on Canvas

[拉斐尔 |《圣家族与幼年施洗圣若翰“神慈”》(《玫瑰圣母》）| 1517—18年 | 布面油画)]

2026-04-04_074_Raphael, The Virgin and Child with Raphael, Tobias, and Saint Jerome (The Madonna of the Fish), 1512-14, Oil on Canvas, Transferred from Wood0001.jpg

Raphael, The Virgin & Child w/ Raphael, Tobias, & Saint Jerome (The Madonna of the Fish), 1512-14, Oil on Canvas, Transferred from Wood

(拉斐尔 |《圣母子与拉斐尔、托比亚斯和圣杰罗姆（鱼之圣母）》| 1512—14年 | 从木板转到画布的油画)

2026-04-04_075_Raphael, Standing Putto Bearing a Garland on a Curved Plaster Surface, c 1512, Detached Fresco Fragment w a Layer of Surface Plaser, Adheared to Cork & Anchored to a Cadorite Sla0001.jpg

Raphael, Standing Putto Bearing a Garland on a Curved Plaster Surface, ca 1512, Detached Fresco Fragment w/ a Layer of Surface Plaser, Adheared to Cork & Anchored to a Cadorite Slab w/ Aluminum Brackets

(拉斐尔 |《手持花环的站立小天使》| 约1512年 | 置于弧形石膏表面上，独立壁画残片，表面覆有一层石膏，粘附于软木，并用铝制支架固定于卡多里特“搏斗”石板上)

2026-04-04_076_Raphael, Portrait of a Young Woman with a Unicorn, 1505-06, Oil on Wood, Transferred to Convas, Glued to a Wood Support.jpg

Raphael, Portrait of a Young Woman w/ a Unicorn, 1505-06, Oil on Wood, Transferred to Convas, Glued to a Wood Support

(拉斐尔 |《手持独角兽的年轻女子肖像》| 1505—06年 | 木板油画，后转移至画布，粘贴于木板上)

2026-04-04_077_Raphael, Portrait of a Woman in Three-Quarter Length (La Muta), 1503-05, Oil on Limewood0001.jpg

Raphael, Portrait of a Woman in Three-Quarter Length (La Muta), 1503-05, Oil on Limewood

[拉斐尔 |《四分之三身像女子肖像(沉默者)》| 1503—05年 | 油画，椴木板]

2026-04-04_078_Raphael, The Small Cowper Madonna, ca 1505, Oil on Wood0001.jpg

Raphael, The Small Cowper Madonna, ca 1505, Oil on Wood

(拉斐尔 |《小考珀“制桶匠”圣母像》 | 约1505年 | 木板油画)

2026-04-04_079_Raphael, The Virgin and Child in a Landscape (The Northbrook Madonna), 1504-05, Oil on Wood0001.jpg

Raphael, The Virgin and Child in a Landscape (The Northbrook Madonna), 1504-05, Oil on Wood

(拉斐尔 |《风景中的圣母子(北溪圣母)》| 1504—05年 | 木板油画)

2026-04-04_080_Luca Signorelli, Virgin and Child, 1506–07, Oil & Gold on Wood0001.jpg

Luca Signorelli, Virgin and Child, 1506–07, Oil & Gold on Wood

(卢卡·西尼奥雷利“光明使者·小领主” |《圣母与圣子》| 1506—07年 | 木板油画及金箔)

2026-04-04_081_Raphael, The Virgin and Child (The Niccolini-Cowper Madonna or The Large Cowper Madonna), 1508, Oil on Wood (Probaly Poplar)0001.jpg

Raphael, The Virgin and Child (The Niccolini-Cowper Madonna or The Large Cowper Madonna), 1508, Oil on Wood (Probaly Poplar)

[拉斐尔 |《圣母子(尼科利尼“人民的胜利”—考珀圣母像或大考珀圣母像)》| 1508年 | 木板油画(可能是白杨木)]

2026-04-04_082_Raphael, The Alba Madonna, 1509-11, Oil on Canvas, Transferred from Wood0001.jpg Raphael, The Alba Madonna, 1509-11, Oil on Canvas, Transferred from Wood

(拉斐尔 |《阿尔巴“黎明”圣母》| 1509—11年 | 从木板转到画布的油画)

2026-04-04_083_Raphael, The Virgin and Child with the Infant Saint John the Baptist (The Esterházy Madonna), ca 1508, Oil & Tempera Grassa on Poplar Wood0001.jpg

Raphael, The Virgin & Child w/ the Infant Saint John the Baptist (The Esterházy Madonna), ca 1508, Oil & Tempera Grassa on Poplar Wood

(拉斐尔 |《圣母子与幼年圣约翰》(埃斯特哈齐“宫殿”圣母像) | 约1508年 | 白杨木板油画及蛋彩画)

2026-04-04_084_Raphael, The Virgin & Child in an Interior (The Madonna of the Pinks), 1506-07, Oil on Wood0001.jpg

Raphael, The Virgin & Child in an Interior (The Madonna of the Pinks), 1506-07, Oil on Wood

(拉斐尔 |《室内圣母子像(粉红圣母)》 | 1506—07年 | 木板油画)

2026-04-04_085_Luca della Robbia, The Virgin and Child in a Niche, ca 1460, Glazed Terracotta Relief0001.jpg

Luca della Robbia, The Virgin and Child in a Niche, ca 1460, Glazed Terracotta Relief

(卢卡·德拉·罗比亚“茜草的光明” |《壁龛中的圣母子》| 约1460 | 釉面赤土浮雕)

2026-04-04_086_School of Donatello, Virgin and Child, 1386-1466, Terracotta Relief0001.jpg

School of Donatello, Virgin and Child, 1386-1466, Terracotta Relief

(多纳泰罗“神赐”画派 |《圣母子像》| 1386—66年 | 陶土浮雕)

2026-04-04_087_Byzantine Artwork, Portable Icon with the Virgin Eleousa, Early 1300s, Mosaic on Wood0001.jpg

Byzantine Artwork, Portable Icon w/ the Virgin Eleousa, Early 1300s, Mosaic on Wood

(拜占庭“东罗马”艺术品 | 《圣母玛利亚便携式圣像》| 14世纪早期 | 木质马赛克)

2026-04-04_088_Lombard artists, Copy after Leonardo's Standing Leda and the Swan, 1515-30, Oil & Tempera Grassa on Poplar Wood0001.jpg

Lombard Artists, Copy after Leonardo's Standing Leda and the Swan, 1515-30, Oil & Tempera Grassa on Poplar Wood

(伦巴第“长胡子”艺术家 | 临摹达芬奇《站立的丽达“女人”与天鹅》| 1515—30年 | 油彩和蛋彩画，杨木板)

2026-04-04_089_Raphael, Madonna & Child Enthroned w Saints, ca 1504, Oil & Gold on Wood0001.jpg

Raphael, Madonna & Child Enthroned w/ Saints, ca 1504, Oil & Gold on Wood

(拉斐尔 |《圣母子与圣徒宝座》| 约1504年 | 木板油画及金箔)

2026-04-04_090_Perugino, The Virgin and Child with the Infant Saint John the Baptist, 1495-1500, Oil & Tempera Grassa on Poplar Wood0001.jpg

Perugino, The Virgin and Child w/ the Infant Saint John the Baptist, 1495-1500, Oil & Tempera Grassa on Poplar Wood

(佩鲁吉诺 |《圣母子与幼年施洗者圣若翰》| 1495-1500年，白杨木板油画及蛋彩画)

2026-04-04_091_Perugino, The Martyrdom of Saint Sebastian, 1500-05, Using a Point of Brush, Gouache, Watercolor, & Brown Ink on Vellum0001.jpg

Perugino, The Martyrdom of Saint Sebastian, 1500-05, Using a Point of Brush, Gouache, Watercolor, & Brown Ink on Vellum

(佩鲁吉诺 |《圣塞巴斯蒂安殉难》| 1500—1505年 | 用毛笔尖、水粉、水彩和棕色墨水在羊皮纸上绘制)

Crosslinks(相关博文):

2026 Banksy Museum, NYC(纽约班克斯博物馆·全球最大的真人壁画收藏)

2026 Drawing Center, NYC(纽约绘画中心·创作可见)

2026 Museum of Ice Cream, NYC(纽约冰激凌博物馆·童真精粹)

2025 Madame Tussauds Wax Museum, NYC(纽约杜莎夫人蜡像馆)

2025 R. Johnson: a Poem for Deep Thinkers(献给深思者的诗)

2025 Solomon R. Guggenheim Museum, NYC(纽约古根海姆博物馆)

2025 Cooper Hewitt Museum, NYC(纽约库珀·休伊特装饰艺术与设计博物馆)

2025 Whitney Museum of American Art(纽约惠特尼美国艺术博物馆)

2024 MoMA, Artistic Movements NYC(纽约现代艺术博物馆·美术倾向)

2024 MoMA, the Adamantine Ladies NYC(纽约现代艺博馆·金刚女士)

Natl Arts Club, Tilde House NYC(纽约国家艺术俱乐部·蒂尔登故居)

2023 Immersive Hall des Lumières NYC(纽约灯光厅·沉浸式艺术馆)